The soundtrack fell to number 28 the next week, before beginning to rise again when the film was released into theaters.  The Recorded Music New Zealand (RMNZ) certified it platinum, for shipment of 15,000 copies.  The single-disc edition of the soundtrack charted separately on the Billboard 200, reaching a peak of number 167. A glossy brochure was included that contained the credits, libretto and a synopsis, with photographs of the cast and producers by Lord Snowdon and others, collected by the film director Carlos Pasini, of Eva Perón. It took almost four months for the soundtrack to be finished.  It was also a moderate commercial success, becoming a top-ten hit in some countries including Finland and the United Kingdom, while reaching the top-twenty in the United States, where it achieved a gold certification from the Recording Industry Association of America (RIAA). Evita is a musical, including score and music composed by Andrew Lloyd Webber and lyrics and book written by Tim Rice.It concentrates on the life of Argentine political leader Eva Perón, the second wife of Argentine President Juan Perón.The story follows Evita's early life, rise to power, charity work, and death. Rikky Rooksby noted in The Complete Guide to the Music of Madonna that Evita was stylistically different than the music Madonna had recorded previously.  Built on the uptempo melody of "Don't Cry for Me Argentina", the song has rock influences and piano sounds.  According to Carol Clerk's book Madonnastyle, the soundtrack has sold a total of 11 million copies worldwide.. Credits and personnel adapted from the 2-CD edition of the soundtrack's liner notes.  It has sold 733,000 copies as of January 2018 according to the Official Charts Company. On both the original LP and subsequent compact disc releases, though, the recording is split such that the balcony scene begins the second half. An emergency meeting was held between Parker, Lloyd Webber and Madonna where it was decided that the singer would record her part at Whitfield Street, a contemporary studio, while the orchestration would take place somewhere else. It was written specifically for the film with the hopes of obtaining an Academy Award nomination for Best Original Song. The vast majority of the original Evita score had been done this way: music first, lyrics afterwards. " She taught Madonna how to sing using her diaphragm rather than just her throat, enabling her to project her voice in a more cohesive manner. , Madonna's vocals are featured on 15 of the 19 tracks present in the soundtrack.  However, more trouble arose as Madonna was not comfortable with laying down a "guide vocal" simultaneously with an 84 piece orchestra inside the studio.  The gentle ballad, "I'd Be Surprisingly Good for You", is about Eva meeting her husband Juan Perón; its composed of flutes, classical guitar and subdued strings. Playing via Spotify Playing via YouTube…  The Recording Industry Association of America (RIAA) certified the soundtrack quintuple platinum, for shipment of 2.5 million copies across the country.  An Evita EP, containing remixed versions of "Buenos Aires", "Don't Cry for Me Argentina" and "Another Suitcase in Another Hall", was supposed to be released but was cancelled.  While reviewing the film, the San Francisco Chronicle's Octavio Roca's feeling about the soundtrack was mixed, saying that the "delicious irony of Rice's lyrics remains intact, as does the freshness of Lloyd Webber's music".  Warner Bros. depended on pre-release press reviews, consumer curiosity and the singles from the soundtrack to keep the interest afloat, until the album was released. J. Randy Taraborrelli, author of Madonna: An Intimate Biography felt that Madonna's singing sounded "supple and strong", and believed her to be not "at all out of place". Erlewine commended Madonna's singing but deduced that her vocals made the songs sound like she was "trying really hard to be credible, which makes it difficult to connect with her".  Finally, Owen Gleiberman from Entertainment Weekly called it a "soundtrack of mediocre '70s rock". Try it free.  The final track, "Lament", finds Madonna singing in a whispered tone, about Eva looking back at her life on her deathbed. Madonna was thrilled to find the newly discovered nuances in her voice and would go home every night, practicing by telephoning her friends and singing to them. A Cinema in Buenos Aires, 26 July 1952 (uncredited) ... Alan Parker, Andrew Lloyd Webber, and David Caddick. My cover of "Don't Cry For Me Argentina" from Evita by Andrew Lloyd Webber & Tim Rice.  The central backbone and theme of the soundtrack is "Don't Cry for Me Argentina", and through the songs it tells the story of Eva's beginnings, her rise to fame, political career and gradually her death. Rice had included details about the character of "Che" attempting to market an insecticide, most significantly in the song "The Lady's Got Potential". , The soundtrack was released in the United States on November 12, 1996, almost two weeks before the release of the film. Released in 1976, the musical began as a rock opera concept album. They also added a live percussion and keyboard lines to the remix. The soundtrack for Evita was released in the United States on November 12, 1996.  Parker knew that the pre-recorded playback would be the main backbone for the filming, hence was wary about the decisions he had to make in the recording studio. , Evita consisted of two formats, a two-disc edition titled The Complete Motion Picture Music Soundtrack, containing all the tracks used on the film, and a single-disc edition, Music from the Motion Picture, which contained only a selection of highlights. , In her review of Evita, Janet Maslin from The New York Times complimented Madonna's ability to emote the songs calling them "legitimately stellar and full of fire". Join Napster and access full-length songs on your phone, computer or home audio device. Evita (soundtrack) has been listed as one of the Music good articles under the good article criteria.If you can improve it further, please do so. , *sales figures based on certification alone^shipments figures based on certification alone, 1996 soundtrack album by Madonna / various artists, Cover for the two-disc edition of the album. It consists of reworked songs from the 1976 concept album as well as a new song, "You Must Love Me". This split point was retained for the London stage production. Jeff Gold, VP/GM of Warner Bros. declared the release as a "worldwide event that has ignited public interest throughout each stage of its evolution". If it no longer meets these criteria, you can reassess it. Evita is the third soundtrack album by American singer Madonna.It was released on November 12, 1996, by Warner Bros. Records to promote the 1996 American musical drama film, Evita, directed by Alan Parker.The film was based on Tim Rice and Andrew Lloyd Webber's 1978 musical of the same name, about First Lady of Argentina, Eva Perón.Considered a Madonna album, the soundtrack features … The musical style for Evita differed from Madonna's previous works and she was not comfortable in recording her vocals inside the studio alongside the orchestra. There is a vibrant, contemporary energy and fearless cinematic sweep to this welcome new stamp on the mythic life of Eva Duarte de Perón". The SPIN staff dissects one woman's three decades of pop stardom", "Madonna Chart History (Soundtrack Albums)", "Don't Buy into Jax' Pyramid Scheme: Platinum-Status Symbol on 'History' Marking Over 5-million Albums Sold Proves to Be as Worthless as Fool's Gold", "Ask Billboard: Madonna's Career Album Sales", "Australiancharts.com – Soundtrack / Madonna – Evita", "ARIA Charts – Accreditations – 1997 Albums", "Charts.nz – Soundtrack / Madonna – Evita", "British album certifications – Original Soundtrack – Evita", "Blockbuster soundtracks that conquered the Official UK Albums Chart", "Ultratop.be – Soundtrack / Madonna – Evita", "Australiancharts.com – Soundtrack / Madonna – Evita (Complete Recording)", "Austriancharts.at – Soundtrack / Madonna – Evita", "Dutchcharts.nl – Soundtrack / Madonna – Evita", "Lescharts.com – Soundtrack / Madonna – Evita", "Offiziellecharts.de – Soundtrack / Madonna – Evita", https://worldradiohistory.com/Archive-Billboard/90s/1997/Billboard-1997-04-05.pdf, "Norwegiancharts.com – Soundtrack / Madonna – Evita", "Swedishcharts.com – Soundtrack / Madonna – Evita", "Swisscharts.com – Soundtrack / Madonna – Evita", "ARIA Charts – End Of Year Charts – Top 100 Albums 1997", "Year list Album (incl. To put it simply, the Material Girl can sing. , Parker finished writing the script for the film by May 1995.  Parker declared the first day of recording as "Black Monday", since it was "filled with trepidation and nerves ... All of us came from very different worlds—from popular music, from movies, and from musical theater—and so we were very apprehensive". Available with an Apple Music subscription. , "You Must Love Me" was released as the soundtrack's lead single on October 27, 1996. I was a complete mess and was sobbing afterwards. Listen to music from Evita Soundtrack like Requiem For Evita, Don't Cry For Me Argentina & more.  "High Flying, Adored" has an Elton John like style according to Rooksby, who described the lyrics as narcissistic and a parallel with Madonna's life. It was present on the chart for a total of 44 weeks and ranked at number 23 on the year-end chart. The soundtrack was released in two different versions. Evita Soundtrack - 11. The Republican group unveils "Covita" parody song after the president's return to the White House.  Authors Allen Metz and Carol Benson wrote in their book The Madonna Companion that the soundtrack gave Madonna "some of the post-disco queen/sex machine credibility she so desperately crave[d]".  Across Europe, Evita reached the top of the charts in Austria, Belgium (both Flanders and Wallonia), Scotland and Switzerland, as well as top-ten in Denmark, France, Germany, Netherlands, Norway and Sweden. ^shipments figures based on certification alone, For the soundtrack of the film adaptation, see, "British album certifications – Studio Cast Recording – Evita", Joseph and the Amazing Technicolor Dreamcoat, The Phantom of the Opera at the Royal Albert Hall, https://en.wikipedia.org/w/index.php?title=Evita_(album)&oldid=1000234887, Short description is different from Wikidata, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, "On This Night of a Thousand Stars" / "Eva and Magaldi" / "Eva, Beware of the City", "Charity Concert" / "I'd Be Surprisingly Good for You", "The Actress Hasn't Learned the Lines (You'd Like to Hear)", "And the Money Kept Rolling In (And Out)", On This Night of a Thousand Stars / Eva and Magaldi / Eva, Beware of the City, Charity Concert / I'd Be Surprisingly Good for You, On the Balcony of the Casa Rosada / Don't Cry for Me Argentina, The Actress Hasn't Learned the Lines (You'd Like to Hear), Producers - Andrew Lloyd Webber and Tim Rice, Assistant engineers - Jeremy Gee and Anton Matthews, This page was last edited on 14 January 2021, at 06:55.  The composition consist of pizzicato strings, and the song jumps from being light to heavy and extravagant, with one section of it being hummed by choral voices. The libretto and synopsis record "Part One" as ending after the balcony scene following "Don't Cry for Me, Argentina" and "Part Two" beginning with "High Flying, Adored". Sales increased by 17.5% to 122,000 sold for that week according to Nielsen SoundScan. The melody finds Madonna singing in a higher range, and the song has a heavy composition in the middle with guitar, trumpets and discordant music.  But Parker noticed at the end of recording that they did not have the new song in place. However, we still needed lyrics and Tim dutifully began to put words to the music. Evita is a concept album released in 1976 and produced by Andrew Lloyd Webber and Tim Rice. This version of Evita, is in my opinion, the best there is.  "Another Suitcase in Another Hall" begins with soft strummed guitar in broken chords, and consists of strings and acoustic guitar played in a subdued manner. The gatefold album was released with a monochromatic sleeve, simply black text and photographs on a white background. The film was based on Tim Rice and Andrew Lloyd Webber's 1978 musical of the same name, about First Lady of Argentina, Eva Perón. In between, of course, it was one of the most successful and long-running musicals on either side of the Atlantic. Composed as an "uprising hymn", Rooksby noted that Madonna's vocals sounded "aggressive and growling". , Evita has received generally mixed reviews from music critics. It proceeds in the same way and gradually fades out. Tim Rice and Andrew Lloyd Webber's Evita, which began as a concept album in 1976 and had its first stage incarnation in London in 1978, finally came to the U.S. in 1979 with a production that opened in Los Angeles and moved to San Francisco for multi-week engagements before landing on Broadway on September 25 to begin a Tony-winning, 1,568-performance run. Recalling in his The Making of Evita essay: Finally, while I was visiting Andrew at his country estate in Berkshire to play him the tracks we had recorded, he suddenly sat down at the piano and played the most beautiful melody, which he suggested could be our new song. ... Do you know a YouTube video for this track? : Evita (soundtrack) is part of the Evita (1996 film) series, a good topic.This is identified as among the best series of articles produced by the Wikipedia community.  The Australian Recording Industry Association (ARIA) certified the two-disc edition as gold and the single-disc edition as platinum for shipment of 35,000 and 70,000 copies respectively. Amazon.com. Don't Cry For Me Argentina - YouTube  It was already in huge demand prior to its release, according to Tim Devin, manager of Tower Records. Other principal vocalists include Banderas, Pryce and Jimmy Nail. Its placement varies from right after "Waltz for Eva and Che" to right before "Eva's Final Broadcast." The soundtrack was her most challenging endeavor since the Stephen Sondheim songs recorded for the 1990 film, Dick Tracy. We don‘t have an … , The soundtrack begins with the tracks "A Cinema in Buenos Aires, 26 July 1952" and "Requiem for Evita", both conducted by John Mauceri, dealing with the announcement of Eva's death. Soundtrack Credits . Collections), 1997", "Argentinian album certifications – Madonna – Evita", Argentine Chamber of Phonograms and Videograms Producers, "Austrian album certifications – Madonna – Evita", "Ultratop − Goud en Platina – albums 1997", "Brazilian album certifications – Madonna – Evita", "Gold-/Platin-Datenbank (Madonna; 'Evita')", "Japanese certifications – Madonna – Evita", "Dutch album certifications – Madonna – Evita", Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers, "IFPI Norsk platebransje Trofeer 1993–2011", "Polish album certifications – Madonna – Evita", Polish Society of the Phonographic Industry, "The Official Swiss Charts and Music Community: Awards (Madonna; 'Evita')", International Federation of the Phonographic Industry, Evita (The Complete Motion Picture Music Soundtrack), Joseph and the Amazing Technicolor Dreamcoat, https://en.wikipedia.org/w/index.php?title=Evita_(soundtrack)&oldid=1002988314, Short description is different from Wikidata, Album chart usages for BillboardSoundtrack, Certification Table Entry usages for Argentina, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for Australia, Certification Table Entry usages for Austria, Pages using certification Table Entry with sales figures, Certification Table Entry usages for Belgium, Certification Table Entry usages for Brazil, Certification Table Entry usages for Canada, Pages using certification Table Entry without certification, Certification Table Entry usages for Germany, Certification Table Entry usages for Hong Kong, Certification Table Entry usages for Japan, Certification Table Entry usages for Netherlands, Certification Table Entry usages for New Zealand, Certification Table Entry usages for Norway, Certification Table Entry usages for Poland, Certification Table Entry usages for Spain, Certification Table Entry usages for Switzerland, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Certification Table Entry usages for Europe, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, "A Cinema in Buenos Aires, July 26, 1952", "Eva and Magaldi / Eva Beware of the City", "Charity Concert / The Art of the Possible", "On the Balcony of the Casa Rosada (Part 1)", "On the Balcony of the Casa Rosada (Part 2)", "The Actress Hasn't Learned the Lines (You'd Like to Hear)", "And the Money Kept Rolling In (and Out)", "Your Little Body's Slowly Breaking Down". Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. It also includes performances by Antonio Banderas, Jonathan Pryce and Jimmy Nail. The bittersweet song "You Must Love Me" starts with the sound of orchestra and piano. Read about Requiem For Evita by Evita Soundtrack and see the artwork, lyrics and similar artists. Listen to music from Evita Soundtrack like Don't Cry For Me Argentina, Rainbow High & more. But Roca believed that the Latin influences present in the original songs were missing, due to John Mauceri's "languid conducting of the soundtrack, and most of all by Vincent Paterson's choreography". Add a video From The Album. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm.  Considine was also disappointed with the vocal abilities of Madonna and co-star Antonio Banderas; "they lack the power and tone to lend this intoned dialog a patina of musicality". Flores and Garza kept the Latin composition of the track, while "flattening" the groove to make it suitable for playing in dance floors. , In the United States, Evita debuted at number six on the Billboard 200 chart for the issue dated November 30, 1996. She had the lion's share of the piece, singing as she does on almost every track.  Madonna's vocals received positive critical response and the song reached the top-ten of the charts a number of nations, including the US Billboard Hot 100 chart, and received gold certifications from five of them. Needless to say, I grabbed it. Certifications for "Don't Cry for Me Argentina": Recording Industry Association of America, Spiritual Leader of the Nation of Argentina, Grease: The Original Soundtrack from the Motion Picture, Golden Globe Award for Best Motion Picture – Musical or Comedy, Australian Recording Industry Association, List of number-one hits of the 1990s (Switzerland), List of UK Albums Chart number ones of the 1990s, "American album certifications – Madonna – Evita (Soundtrack)", "Madonna's 21 Top 10 Albums: From 'Madonna' to 'Rebel Heart, "Evita [Motion Picture Music Soundtrack] > Overview", "Album Review – Motion Picture Soundtrack – Evita", "A Second Interview with Andrew Lloyd Webber, Composer, On the Set of Evita in Budapest", "The 69th Academy Awards (1997) Nominees and Winners", "Film soundtracks wind way toward Top Ten", "American single certifications – Madonna – You Must Love Me", "ARIA Charts – Accreditations – 1997 Singles", "French single certifications – Madonna – Don't Cry for Me Argentina", Syndicat National de l'Édition Phonographique, "Gold-/Platin-Datenbank (Madonna; 'Don't Cry for Me Argentina')", "The Official Swiss Charts and Music Community: Awards (Madonna; 'Don't Cry for Me Argentina')", "British single certifications – Madonna – Don't Cry for Me Argentina", "Madonna > Another Suitcase in Another Hall", "Madonna's 'Buenos Aires' Remixes On The Horizon", "Soundtracks among top holiday recordings", "Express Yourself: What Is Madonna's Greatest Era? , In Canada, Evita debuted at number 27 on the RPM Top Albums/CDs chart.  Here the lyrics talk about warning Eva from strangers in the big city. In the middle of a male backing chorus, Madonna sings her lines, accompanied by stereo tom-tom drum and synth sounds.  As of December 2016, the album had sold 2,025,000 copies according to Nielsen SoundScan.  Madonna had already enlisted the help of composers Tim Rice and Andrew Lloyd Webber, who had originally created the musical Evita. Critical reception towards the soundtrack was mixed, with AllMusic's Stephen Thomas Erlewine calling it "unengaging" while Hartford Courant's Greg Morago praised Madonna's singing abilities. , "Don't Cry for Me Argentina" was released as the second single from the album on February 4, 1997. Having successfully launched their previous show, Jesus Christ Superstar, on record in 1970, Lloyd Webber and Rice returned to the format for Evita. However, Lloyd Webber was critical of the recording arrangements done in the studio. The actors were tense during the recording sessions for Evita, since they were from a non-musical background.  This was spurred by Madonna winning the Golden Globe Award for Best Motion Picture – Musical or Comedy.  According to Lloyd Webber, the song's main inspiration was to showcase Eva's emotional state at the time as well as her relationship with Juan. A 17 second clip of "You Must Love Me", with Madonna singing the chorus over the restrained piano sounds. , Evita debuted at number seven on the UK Albums Chart and ended up reaching the top of the charts in February 1997, becoming Madonna's fifth number one album in the country.  It reached a peak of number five on the chart, and stayed for a total of 27 weeks. Madonna staked much of her career on Evita, gambling that it would establish her as a proper movie star and a respected actress, as well as reviving her slumping musical career.Both the film and the soundtrack, while worthy efforts, fall just short of their goals, despite their numerous strong points. , Elements of the original plotline on this album were removed before the show was staged in London in 1978. International release strategy of the soundtrack was similar to that of the United States, with November 25 as the date, and the single-disc edition planned for release later in December.  Greg Kot from the Chicago Tribune, wrote that "the two-CD soundtrack casts Madonna in a new light. Warner Bros. was initially reluctant to release the remixes, but decided to finally release it to coincide with the home video release of Evita the film.  Spin's Annie Zaleski noted that the soundtrack demonstrated Madonna's "astronomical growth as a vocalist ...Evita marked the start of Madonna's Serious Phase, one where she balanced youthful coquettish-ness with a more mature, introspective outlook". A two-disc edition which featured all the tracks from the film, and a single-disc edition contained a selection of song highlights. Following this "Oh What a Circus" begins, where Banderas takes the lead vocals. Read about Requiem For Evita by Evita Soundtrack and see the artwork, lyrics and similar artists.
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